Last Saturday, on 27th of January, the SCBWI-WI team held a half-day webinar featuring advice from three agents, namely Lauren Spieller, Taylor Martindale Kean and Natalie Lakosil.
Unfortunately, I could not attend the webinar at the time it was streamed but the SCBWI WI crew provided a recording of the talks just 24h later and I watched it the following week. Here’s a quick overview of all three sessions.
Lauren Spieller – How to write a decent query letter.
Author herself and an agent with Triada US Literacy agency, Lauren talked about the art of writing a killer query and get agents and editors to request a full manuscript. To do so, she broke down the structure of a query letter and explained basic information that should be given.
The most important thing is: a query letter is a business letter, therefore you should treat it as such. I knew many of the key points Lauren spoke about but here are a few crucial points to keep in mind: the agent wants to be intrigued, don’t tell the ending, don’t include smash-hits as a comp titles even if you think what you wrote is, of course, the next Harry Potter; and double check the triple checked spelling of the agent’s name!
Taylor Martindale Kean – Voice in MG and YA Fiction
Taylor Martindale Kean is with Full Circle Literacy agency and she gave a talk about voice in middle grade and young adult fiction.
What’s voice anyway? It is, in short, what’s gripping about a novel – a certainly intangible concept – and therefore one of the most sought-after achievements in the craft. Yet, no foolproof method for developing said voice exists. As it seems, it’s a matter of practice and, as Taylor put it, a combination of tone, style, and personality that is unique to the author. But there’s hope. At least there are a few approaches one might try and Taylor went ahead and gave her audience an idea where to start looking for one’s very own voice.
My main takeaway from her talk is to strive for a more tangible prose that fits the character’s origin. And of course, reader bonding by keeping the author intrusion at a minimum.
Natalie Lakosil – Tips and Tricks for Quick Revision
In her talk about how to revise a manuscript, Natalie (of Bradford Lit Agency) first pointed out how she likes to broaden the word revision to re-envision. A valid approach, since we often are stuck with the ideas we conceived first. It’s not easy to pinpoint the shortcomings of a manuscript (MS) if you are still deep within its grasp. So, unsurprisingly the first thing to do is to ignore the whole thing a for a while so you can come back with fresh eyes. I read that so often and still think it’s going to be very hard to do it.
What to do during this time, then? Natalie recommends extensive reading in the genre and researching characteristics the MS should meet. Think word count, for example. But looking up comp titles is vital, too. These help to discern what published books have or don’t have and compare it to your own work.
After the resting period, it’s time to revise at last. I can’t possibly list all the advice Natalie gave. The idea that stuck with me most was the Plot Dot Test – I am definitely going to try that one. Other than that I got some good info on improving the tangibility of the prose and working in motifs and symbols.
Natalie’s best advice, however, was to keep in mind your own idea of your story when you judge feedback by peers, beta readers, and even agents. It’s your story after all and impossible to make it perfect for everybody – so you might as well keep a firm grasp on your own idea and focus.
So. This is it–another webinar done and blogged about. I hope it was a good read and held at least a few new insights. Thanks again the SCBWI Wisconsin chapter for all the work in setting up the webinar.